MTV: Robert Pattinson on Breaking Dawn Leaks (video)
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Movie Trailers - Movies Blog
December 8, 2010
Robert Pattinson Is 'Extraordinarily Attractive,' Admits Reese Witherspoon
"The only thing I can compare it to is when Leo was in 'Titanic,' " she told MTV News while promoting her upcoming movie "How Do You Know." "It was that kind of fervor about a person. The women lining up outside the set — it was just unbelievable — till 5 o'clock in the morning waiting to just glimpse him."
The Tennessee set of "Water for Elephants" was basically no different than what happens when the "Twilight" vamp goes anywhere. As director Francis Lawrence told us in the fall, "[E]very day there would be, like, 50 people [staked out] ... . [T]here would be people camped out in the hallways of our hotel. All day, all night long, it didn't matter. People were there to try to catch a glimpse."
Witherspoon, of course, got an up-close-and-personal glimpse of RPattz, and she was happy to report back to us: "He is extraordinarily attractive. I'm not gonna lie," she said.
"Robert is such a great guy from a great family," she explained. "That's the thing that's so funny. He's not really this bad boy; he's just a great guy and really worked hard on 'Water for Elephants.' He really worked long hours, long days. He looks totally different in the movie."
Source
David Slade told at Sundance, Kristen Stewart stressed during Twilight Eclipse shoot: 'There were tears'
When David Slade appeared on the pop-culture dais in the wake of his breakout Sundance smash, Hard Candy, featuring a plucky would-be victim in Ellen Page, the last thing you'd expect to learn about the man was his deep conviction in the concept of romantic love.
A story that hung on the threat of sexual assault involving a minor, Hard Candy seemed like such a testament to the baser elements of the human animal that its director assumed the shape of a next-gen Neil Labute — a creator capable of balancing absolute contempt for the human species with an arid sense of humour.
It's a dicey endeavour, but one Slade pulled off with a dramatically elegant sleight of hand.
Slade reached into the same bag of tricks when he called the shots on The Twilight Saga: Eclipse, which hits DVD and Blu-ray on Saturday.
The story of a young woman named Bella Swan (Kristen Stewart) who falls madly in love with a vampire stud named Edward Cullen (Robert Pattinson), only to be hounded by a lovesick werewolf named Jacob (Taylor Lautner), the whole Twilight Saga deals with a young woman at risk.
In this case, Stewart is at risk of losing her mortal soul. In Hard Candy, Page was at risk of losing a similar chunk of self, as well as — we suspected — her life.
"Hard Candy was definitely a different beast in some ways, because it was a contained, two-person drama, with Ellen Page raging away in a brilliant performance," says Slade.
"Eclipse was a lot broader . . . but it's still a character-based drama. That's what I really enjoyed about it," he says. "I think it's also a much more adult film than (the previous two), because the characters are becoming more mature. There's loads of fun stuff to play with, and because we treated it as a drama, the transformation (of character) takes place."
The substance was always bloody and meaty, but Slade says the pragmatics of the whole ordeal were anything but easy. He feels exhausted just thinking about the experience.
"It was a 50-day shoot, with many 16-hour days," he says.
To make things even more challenging, the cast was losing itself in its own Twilight cosmos. All actors have to surrender to their roles and inhabit their characters to some degree for the duration of production, so Slade was pleased his cast was taking the whole project seriously and sincerely.
Everyone was committed, he says.
"Kristen, in particular, was very tough on herself."
Slade says because Stewart didn't pull from her own life and her own person to play Bella Swan, she found it personally demanding to find Bella's truth.
"She would say, 'I don't know who Bella is to me.' In a lot of ways, I think she felt Bella was the antithesis to her, which presented a lot of challenges for Kristen. . . . She would beat herself up about it, because she wants to be there. She never wants to leave a scene undone.
"There were tears," says Slade.
"But you move on and you keep going. . . . Even in rehearsals with Rob (Pattinson), there was a similar spiralling that would happen."
Actors are people. They get insecure, and any human being facing the weight of expectation surrounding Twilight would have to buckle, if only a little. To offset as much of the thespian obsessing as possible, Slade says he's learned the value of preparation.
He says he rehearses his actors as much as possible, so they're comfortable with the material and their characters, and he gets to focus on the minutiae of performance without the intrusive presence of a camera.
"You're always looking to get the emotional truth from the performance," he says. And with Twilight, that emotional truth is nothing less than the blood-red heart of romantic love — which pounds away in Slade's heart, even though, at 41, he's supposed to be a member of a more cynical generation.
"I do believe in romantic love. How could you not, if you're lucky enough to find it? It seems like we live in a much more sarcastic . . . cynical culture, and I don't like to use the c-word. There's the idea out there maybe that (romantic love) isn't cool. But true love is a wonderful thing."
Slade says romantic love is the gooey hook on the Twilight narrative, but after reading Stephenie Myers' books, he also feels they address a lot more issues than mere vampires and teen romance.
"It's a love story that's dealing with the problems of the last century," he says. "And I got the best book. We had the epic battle, the action . . . the whole thing."
Slade says he's leaving at a high point in the story, and that's one of the other big lessons he's learned along the way: Preparation will save your bacon, but timing is what makes it tasty.
He'd love to share what he's doing next, Slade says, but he can't. At the very least, we can rest assured it will be interesting, well-prepared and approached with an open heart and a vampire-proof carotid.
Source
A story that hung on the threat of sexual assault involving a minor, Hard Candy seemed like such a testament to the baser elements of the human animal that its director assumed the shape of a next-gen Neil Labute — a creator capable of balancing absolute contempt for the human species with an arid sense of humour.
It's a dicey endeavour, but one Slade pulled off with a dramatically elegant sleight of hand.
Slade reached into the same bag of tricks when he called the shots on The Twilight Saga: Eclipse, which hits DVD and Blu-ray on Saturday.
The story of a young woman named Bella Swan (Kristen Stewart) who falls madly in love with a vampire stud named Edward Cullen (Robert Pattinson), only to be hounded by a lovesick werewolf named Jacob (Taylor Lautner), the whole Twilight Saga deals with a young woman at risk.
In this case, Stewart is at risk of losing her mortal soul. In Hard Candy, Page was at risk of losing a similar chunk of self, as well as — we suspected — her life.
"Hard Candy was definitely a different beast in some ways, because it was a contained, two-person drama, with Ellen Page raging away in a brilliant performance," says Slade.
"Eclipse was a lot broader . . . but it's still a character-based drama. That's what I really enjoyed about it," he says. "I think it's also a much more adult film than (the previous two), because the characters are becoming more mature. There's loads of fun stuff to play with, and because we treated it as a drama, the transformation (of character) takes place."
The substance was always bloody and meaty, but Slade says the pragmatics of the whole ordeal were anything but easy. He feels exhausted just thinking about the experience.
"It was a 50-day shoot, with many 16-hour days," he says.
To make things even more challenging, the cast was losing itself in its own Twilight cosmos. All actors have to surrender to their roles and inhabit their characters to some degree for the duration of production, so Slade was pleased his cast was taking the whole project seriously and sincerely.
Everyone was committed, he says.
"Kristen, in particular, was very tough on herself."
Slade says because Stewart didn't pull from her own life and her own person to play Bella Swan, she found it personally demanding to find Bella's truth.
"She would say, 'I don't know who Bella is to me.' In a lot of ways, I think she felt Bella was the antithesis to her, which presented a lot of challenges for Kristen. . . . She would beat herself up about it, because she wants to be there. She never wants to leave a scene undone.
"There were tears," says Slade.
"But you move on and you keep going. . . . Even in rehearsals with Rob (Pattinson), there was a similar spiralling that would happen."
Actors are people. They get insecure, and any human being facing the weight of expectation surrounding Twilight would have to buckle, if only a little. To offset as much of the thespian obsessing as possible, Slade says he's learned the value of preparation.
He says he rehearses his actors as much as possible, so they're comfortable with the material and their characters, and he gets to focus on the minutiae of performance without the intrusive presence of a camera.
"You're always looking to get the emotional truth from the performance," he says. And with Twilight, that emotional truth is nothing less than the blood-red heart of romantic love — which pounds away in Slade's heart, even though, at 41, he's supposed to be a member of a more cynical generation.
"I do believe in romantic love. How could you not, if you're lucky enough to find it? It seems like we live in a much more sarcastic . . . cynical culture, and I don't like to use the c-word. There's the idea out there maybe that (romantic love) isn't cool. But true love is a wonderful thing."
Slade says romantic love is the gooey hook on the Twilight narrative, but after reading Stephenie Myers' books, he also feels they address a lot more issues than mere vampires and teen romance.
"It's a love story that's dealing with the problems of the last century," he says. "And I got the best book. We had the epic battle, the action . . . the whole thing."
Slade says he's leaving at a high point in the story, and that's one of the other big lessons he's learned along the way: Preparation will save your bacon, but timing is what makes it tasty.
He'd love to share what he's doing next, Slade says, but he can't. At the very least, we can rest assured it will be interesting, well-prepared and approached with an open heart and a vampire-proof carotid.
Source
Director David Slade Tries To Explain Why 'Eclipse' Is Best 'Twilight' Movie So Far
"I think it had the best story," he said. "And the most action."
That's all well and good, David, but we think you had a little something to do with it, too.
"You know, I did my best," he said with a chuckle. "The director of the film is always the harshest critic of the film. What you do is spend two years or a-year-and-a-half or whatever it is intensely, emotionally working on something. You watch it a thousand times. What you're doing is assembling it together, and then there's a bunch of cracks, and you're closing the gaps in those cracks. And then, what happens in the end, you go, and you start noticing those cracks again. It's the same with any film."
Yes, David clearly is his own worst critic, but he did admit the film had a lot going for it.
"I certainly do believe we had one of the best stories," he said. "'Eclipse' is the fans' favorite book, behind 'Twilight,' the first book. There's so much in terms of backstory and understanding characters. It has a very clear progression to Bella's transformation; not physically but emotionally. That's something that is important. That, along with the fact that we had so many fun backstory moments. We had a Western. We had a 16th century historical piece. We had a '30s period piece, as well as the rest of it."
Source
November 30, 2010
'Eclipse' DVD Countdown: Edward And Jacob Are The No. 5 Reason
As you all know, "The Twilight Saga: Eclipse" DVD is coming out this Friday at midnight finally, and we couldn't be more excited. To help get us hyped for all those extra hours we get to spend with Bella, Edward and Jacob—now in the privacy of our own homes—we've decided to post a different reason we're excited for the release every day this week. We're kicking it off with the reason we love "Eclipse" the most of all the "Twilight Saga" flicks: more Edward and Jacob.
If "Twilight" was all about introducing us to our love for Edward Cullen, and "New Moon"'s main purpose was to make us question whether we should instead be falling for Jacob Black, then "Eclipse" is here to let us know that, unlike Bella, we can have them both. And Summit Entertainment is making it easy for us by having "Edward Fast-Forward" and "Jacob Fast-Forward" features on the DVD that allow us to—you guessed it—fast-forward to our favorite Edward and Jacob scenes.
Our favorite Edward scene is definitely the sleepover. How could it not be? We could watch that make out session and the leg hitch on repeat for hours. I mean, Bella's face is kind of covered, so it makes it easier to pretend that we're the girl Edward is macking on. That meadow scene is a close second though, made all the more special by the fact that it's the first scene we were teased with so long ago.
Fortunately for all you Jacob lovers out there, Edward isn't the only one getting some quality Bella time. How could we forget that first kiss in La Push (and the intense confrontation afterward), or their last kiss up on the mountain? That's plenty to swoon over by itself. Yet, in proper werewolf fashion, Jacob is shirtless for a majority of this film, often with his fellow wolves half-naked surrounding him, which gets us swooning even more. We definitely have a soft spot for pretty boys.
I think most "Twilight" fans would agree, though, that one of the best scenes in "Eclipse" includes both Edward and Jacob, so it should make it to all of our jump-to lists. I'm of course referring to "the tent scene," also known as "the hottest night on the coldest mountain ever." That's a sexually tense moment I'm sure we're all grateful we'll have on DVD.
Source
If "Twilight" was all about introducing us to our love for Edward Cullen, and "New Moon"'s main purpose was to make us question whether we should instead be falling for Jacob Black, then "Eclipse" is here to let us know that, unlike Bella, we can have them both. And Summit Entertainment is making it easy for us by having "Edward Fast-Forward" and "Jacob Fast-Forward" features on the DVD that allow us to—you guessed it—fast-forward to our favorite Edward and Jacob scenes.
Our favorite Edward scene is definitely the sleepover. How could it not be? We could watch that make out session and the leg hitch on repeat for hours. I mean, Bella's face is kind of covered, so it makes it easier to pretend that we're the girl Edward is macking on. That meadow scene is a close second though, made all the more special by the fact that it's the first scene we were teased with so long ago.
Fortunately for all you Jacob lovers out there, Edward isn't the only one getting some quality Bella time. How could we forget that first kiss in La Push (and the intense confrontation afterward), or their last kiss up on the mountain? That's plenty to swoon over by itself. Yet, in proper werewolf fashion, Jacob is shirtless for a majority of this film, often with his fellow wolves half-naked surrounding him, which gets us swooning even more. We definitely have a soft spot for pretty boys.
I think most "Twilight" fans would agree, though, that one of the best scenes in "Eclipse" includes both Edward and Jacob, so it should make it to all of our jump-to lists. I'm of course referring to "the tent scene," also known as "the hottest night on the coldest mountain ever." That's a sexually tense moment I'm sure we're all grateful we'll have on DVD.
Source
October 26, 2010
Eclipse Closes Its Box Office Run at $300,531,751 Domestic Market
According to Box Office Mojo, Eclipse has finally ended its run in theaters with a total of $300,531,751 in the domestic market. International sales still continue, and there are some countries where it has not even opened yet!
Eclipse was the first women-driven film to hit the elusive 300K mark since Titanic back in 1997. It’s a mark that very few films ever hit, let alone a film that is predominantly driven by female dollars.
The $300,531,751 will easily put Eclipse into the top 10 films of the year, and in all likelihood it will stay in the top five. right now it is in fourth position behind Toy Story 3, Alice in Wonderland, and Iron Man 2. The only film that opens between now and the end of the year that is likely to overtake the Eclipse tally is the first part of Harry Potter and the Deathly Hallows.
The summer release was an interesting experiment since the other films opened at Thanksgiving time. Eclipse certainly benefited by a summer of lackluster films that had lots of PR, but in the end didn’t live up to the hype. In short it lucked out by not having lots of competing films. Rather than see a movie that got panned, people went back and saw Eclipse again. Granted, folks tended to see it more than once anyway, but the movie choices or lack thereof this summer certainly helped.
To summarize the previous films box office totals:
Twilight: number 7 film of the year in 2008 $192,769,854
New Moon: number 4 film of the year in 2009 $296,623,634
One day release of back-to-back Twilight and New Moon: number 131 of the year $2,385,237
Source
Eclipse was the first women-driven film to hit the elusive 300K mark since Titanic back in 1997. It’s a mark that very few films ever hit, let alone a film that is predominantly driven by female dollars.
The $300,531,751 will easily put Eclipse into the top 10 films of the year, and in all likelihood it will stay in the top five. right now it is in fourth position behind Toy Story 3, Alice in Wonderland, and Iron Man 2. The only film that opens between now and the end of the year that is likely to overtake the Eclipse tally is the first part of Harry Potter and the Deathly Hallows.
The summer release was an interesting experiment since the other films opened at Thanksgiving time. Eclipse certainly benefited by a summer of lackluster films that had lots of PR, but in the end didn’t live up to the hype. In short it lucked out by not having lots of competing films. Rather than see a movie that got panned, people went back and saw Eclipse again. Granted, folks tended to see it more than once anyway, but the movie choices or lack thereof this summer certainly helped.
To summarize the previous films box office totals:
Twilight: number 7 film of the year in 2008 $192,769,854
New Moon: number 4 film of the year in 2009 $296,623,634
One day release of back-to-back Twilight and New Moon: number 131 of the year $2,385,237
Source
October 11, 2010
Behind the Scenes of Eclipse Special Effects from Tippett Studio (video)
Making Of released a video that shows the team from Tippet Studio who made the amazing Eclipse's Special effects.
The Twilight Saga: Eclipse Two-Disc Special Edition to be released on Dec. 4, 2010
The Two-Disc Special Edition of Twilight Saga: Eclipse is now available for Pre-order in Amazon for a price of $21.49.
September 20, 2010
Twilight Box Office: ‘Eclipse’ Officially Tops $300 Million North America alone
It’s official!
Summit Entertainment confirms the film has now earned more than $300 million in North America.
Eclipse became the fourth release to cross the $300M threshold in 2010, joining Toy Story 3, Alice in Wonderland and Iron Man 2.
The movie is also closing in on $700 million worldwide.
Source
Summit Entertainment confirms the film has now earned more than $300 million in North America.
Eclipse became the fourth release to cross the $300M threshold in 2010, joining Toy Story 3, Alice in Wonderland and Iron Man 2.
The movie is also closing in on $700 million worldwide.
Source
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