EW written an article about its review on Eclipse Soundtrack and giving a rating of “B+”.
At this point, even the most entrenched haters of Twilight's vampire-sparkle voodoo concede the soundtracks' indie-rock bona fides — though they might wish the music came shrouded in a plain brown wrapper.
Like last October's New Moon collection, Eclipse operates as a sort of alt-party primer: original songs from the genre's current varsity squad, with a smattering of JV newbies. Pomp-rockers Muse, practically the movies' musical mascots by now, provide the requisite dose of Queen-meets-Rush grandiosity on ''Neutron Star Collision (Love Is Forever),'' while Jack White side project the Dead Weather revel in swampy blooze-ooze on ''Rolling in on a Burning Tire.''
Vampire Weekend, stripped of their habitual Afro-pop swaddling, work the harpsichord-tinged twee of ''Jonathan Low'' into a pleasingly woolly tangle, though Australian chanteuse Sia's ''My Love'' does more with much less — her fragile ballad is so ethereal and otherworldly, it should be sung in Elvish. U.K. indie-pop outfit Fanfarlo's rickety ''Atlas'' sounds like Talking Heads on a dirt-road detour; Beck and British songstress Bat for Lashes trade haunting echo-chamber
vocals on the percussion-heavy duet ''Let's Get Lost''; and on the heady ''Heavy in Your Arms,'' Florence + the Machine make like Siouxsie Sioux leading a tribal marching band into battle. L.A. unknowns Eastern Conference Champions co-opt Radiohead's dense existential dread, Band of Horses conjure up another beardy folk ramble, and this summer's palest citizens get a pretty solid ready-made mixtape. B+
Source
